Archive for the ‘remote’ Category

Beam Cross Trigger – 9 Volt Longevity Test…

Tuesday, April 28th, 2009

Some time ago I changed my beam cross trigger to 9 Volt to make batteries easier to get. However, I had no idea how long the system would work on such a small battery. The 12 Volt system would run for days, but it’s not so easy to get 12 V batteries when you travel.

The test in the video was to see how many switches you would get from a 9 Volt battery. I had tested “static” life at 5 1/2 hours, but I didn’t know if triggering would have a bearing on the battery life…….seems not. Check the Video.

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I am guessing over 500,000 triggers will do fine. I hope to give the trigger a run at an event this weekend. We’ll see how it goes in the field.

Playing with fire…..

Saturday, April 25th, 2009

Yet another of the shots I’ve always wanted to do. A little cliche, but hey. It’s a part of my little elements project, this is, of course, fire.

This video will give you an idea of the setup used. Not all the secrets are here, like how to light the match, but that’s for you to work out!!

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Water Droplet Photography…

Monday, April 20th, 2009

I’ve always wanted to do the standard water droplet photo, but never had the time on my hands……until a week or so ago.


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Here’s the studio set-up for the shoot…..
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It was a bit of a laugh and good to have done….I do need to get a life though eh!!!

Swimming Remotes with Duane at SportingImages…

Monday, April 20th, 2009

I had a great week last week with Duane, Lucas and Matt from Sporting Images.Duane has a great attitude towards trying remotes and he let me give some shots a go.

The first shot we tried was from the under-pool port holes. I’d never been down under the Sydney Olympic Aquatic Center, so this was a great thrill.

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This shot was not without it’s problems. My camera (1DMK2N) worked ok, but had to shoot at a challenging ISO3200. Duane’s amazing 5DMK2 was shooting at ISO6400 and the shots were amazingly clear, however, I couldn’t stop that set-up from falling asleep after a few minutes. My remote cables are home made and I hadn’t tried them on a 5D MK2, so they were likely the problem.

The second shot was a high shot of the starting blocks. It was a 1DMK2N at ISO3200 in TV Mode at 1/400th Second. The shot is part of an image montage product that Sporting Imagessell. This shot worked well……when I had it focussed correctly (I’ll get to that issue in a later post).

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Images are from the 2009 Australian Age Championships. Images for sale through Sporting Images.

Using Flashes on Mountain Bike Photography…

Sunday, February 15th, 2009

This time was the same, but different. On the JetBlack 24hour mountain bike event, the conditions were poor, but the expectation of results was high. Due to the continual rain I had to shoot at ISO1600 all day and sadly the aperture was low at f4-f5.6 for most of the day. this meant using flash for basically the the entire event.

I can’t post any photos of the competitors as that breaches my contract, but they are at www.cycle-photos.com

I had to cover the race start, and 6 locations in 8 hours, so being mobile was very important. I was on the MTB course in difficult locations in rainy and muddy conditions so everything had to be rain-proof, and able to work all day without interruption.
To achieve this I used the Canon 580EX with a CP-P3 battery pack (both inside zip-loc bags), a mini tripod and clamp mount, and my “custom” 15 Meter off-shoe cord.

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As the flash is closer to the subject, and using ETTL, it works as if it was on your hot-shoe, but saves power, batteries, melt downs etc….

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The idea behind this, is that the flashes output power Guide Number (GN) is a function of aperture and distance to the subject (GN = distance × f-number). Lets pretend GN is basically flash power. To use this set-up all day you need the flash to use low power all day. Your aperture (f-number) is set as part of your main exposure (In my case it was ISO1600 f4-f5.6 and shutters from 1/800 to 1/10 for the arty shutter-drag shots).
To keep the power as low as possible all day, I have moved the flash closer to the subject, meaning it needs far less power to illuminate the subject than if the flash was on the camera.

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I know the flash is in a stream….it wasn’t when I started!!!

Other benefits of this set-up is that you can have the flashes almost anywhere. The photo below, the flash was in a tree over my left shoulder. The same principles apply with ETTL sending it’s pre-pulse and then firing…..only the flash is off the camera.

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With the saving in power, I had 660 odd shots from one CP-E3 and one set of flash batteries. Makes a wet day far easier if you don’t have to change batteries!!!

As always there is a down side. I was lucky with this event that the competitors were spread out. The 580 does have the ability to melt down if you drive it too hard. While this set-up will save power, I’m not too sure how it would go if you have lots of shots close together. We’ll see later I guess…