Posts Tagged ‘Flash’

Don’t knock the 28-300….

Monday, August 17th, 2009

I shot the 2009 Go Natural Multisport yesterday, and for it’s versitility, I used my 28-300. On a day where I had to move quite a bit and carry a variety of set-ups, the 28-300 really excelled.

Image Courtesy of Canon.com.au

Image Courtesy of Canon.com.au


I needed to be able to shoot cyclist, Kayakers, and Runners with the smallest set up possible. This lens, and a fish eye, are all I used all day. Some people have been quite harsh on this lens for not being as sharp as others (70-200), but for it’s range and size it does a really great job, and I can’t fault the results. Would I use it for a studio magazine cover…..not likely, but I’m not shooting for that. I’m outdoors lugging my fat arse backpack up hills.

Even with a hot-shot or wireless flash the lens performed admirably. I’ll definitely use this lens again when shooting adventure races.

Manly Dam Remote Flash and Video Tests

Sunday, August 2nd, 2009

Today’s goals were to test some mountain bike set-ups and remote flash set-ups. I am hoping to put in a good display at the MTB world champs in September with both stills and video snippets.

VIDEO TESTS
The main test here was sound. I am using the JCV 3CCD HD camcorder because of its compact size, but the on board sound is none too crash hot. I’ve made a lead that goes from the 3.5mm stereo jack to 2 x XLR connectors. These are attached to RODE M3 9Volt Powered Microphones. I wanted external sound and to exaggerate the stereo affect by spacing the mics well apart.
The first example is with runners….


Then MTB’ers….the set-up is at the end of this one.

FLASH TESTS
I’ve still got quite a bit of work to do on this, but getting there. My main problem is the lighting and location. Full sun is not too good, full shade or heavily backlit are good, but you need to get a location of the course that has these conditions, and a descent spot.
The Dual flash is working well. Shot most of today at 1/1000 sec and f5.6. The PocketWizards work really well with the high speed sync. Hypersync is ok from 1/400 – 1/800, but over that it’s not all that good.


Heres a video of the last setup I tried….

Playing with fire…..

Saturday, April 25th, 2009

Yet another of the shots I’ve always wanted to do. A little cliche, but hey. It’s a part of my little elements project, this is, of course, fire.

This video will give you an idea of the setup used. Not all the secrets are here, like how to light the match, but that’s for you to work out!!

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Water Droplet Photography…

Monday, April 20th, 2009

I’ve always wanted to do the standard water droplet photo, but never had the time on my hands……until a week or so ago.


Click Image or HERE to go to gallery


Here’s the studio set-up for the shoot…..
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It was a bit of a laugh and good to have done….I do need to get a life though eh!!!

Using Flashes on Mountain Bike Photography…

Sunday, February 15th, 2009

This time was the same, but different. On the JetBlack 24hour mountain bike event, the conditions were poor, but the expectation of results was high. Due to the continual rain I had to shoot at ISO1600 all day and sadly the aperture was low at f4-f5.6 for most of the day. this meant using flash for basically the the entire event.

I can’t post any photos of the competitors as that breaches my contract, but they are at www.cycle-photos.com

I had to cover the race start, and 6 locations in 8 hours, so being mobile was very important. I was on the MTB course in difficult locations in rainy and muddy conditions so everything had to be rain-proof, and able to work all day without interruption.
To achieve this I used the Canon 580EX with a CP-P3 battery pack (both inside zip-loc bags), a mini tripod and clamp mount, and my “custom” 15 Meter off-shoe cord.

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As the flash is closer to the subject, and using ETTL, it works as if it was on your hot-shoe, but saves power, batteries, melt downs etc….

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The idea behind this, is that the flashes output power Guide Number (GN) is a function of aperture and distance to the subject (GN = distance × f-number). Lets pretend GN is basically flash power. To use this set-up all day you need the flash to use low power all day. Your aperture (f-number) is set as part of your main exposure (In my case it was ISO1600 f4-f5.6 and shutters from 1/800 to 1/10 for the arty shutter-drag shots).
To keep the power as low as possible all day, I have moved the flash closer to the subject, meaning it needs far less power to illuminate the subject than if the flash was on the camera.

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I know the flash is in a stream….it wasn’t when I started!!!

Other benefits of this set-up is that you can have the flashes almost anywhere. The photo below, the flash was in a tree over my left shoulder. The same principles apply with ETTL sending it’s pre-pulse and then firing…..only the flash is off the camera.

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With the saving in power, I had 660 odd shots from one CP-E3 and one set of flash batteries. Makes a wet day far easier if you don’t have to change batteries!!!

As always there is a down side. I was lucky with this event that the competitors were spread out. The 580 does have the ability to melt down if you drive it too hard. While this set-up will save power, I’m not too sure how it would go if you have lots of shots close together. We’ll see later I guess…