Posts Tagged ‘rain’

Blayney Wind Farms

Wednesday, June 10th, 2009

Over the Queen’s Birthday long weekend end, I decided to drive to Blayney in western NSW to photograph some wind farms at night. It was going to be cold and the weather forecast said showers. It turned out much worse than that! The wind farms are at 1000m and were totally covered in low cloud. I got nothing, but cold and wet.
Everything worked well; my plans and location scouting on GoogleEarth were good, gear was good…..everything but the weather was on my side. Oh well….better luck next time.

Using Flashes on Mountain Bike Photography…

Sunday, February 15th, 2009

This time was the same, but different. On the JetBlack 24hour mountain bike event, the conditions were poor, but the expectation of results was high. Due to the continual rain I had to shoot at ISO1600 all day and sadly the aperture was low at f4-f5.6 for most of the day. this meant using flash for basically the the entire event.

I can’t post any photos of the competitors as that breaches my contract, but they are at www.cycle-photos.com

I had to cover the race start, and 6 locations in 8 hours, so being mobile was very important. I was on the MTB course in difficult locations in rainy and muddy conditions so everything had to be rain-proof, and able to work all day without interruption.
To achieve this I used the Canon 580EX with a CP-P3 battery pack (both inside zip-loc bags), a mini tripod and clamp mount, and my “custom” 15 Meter off-shoe cord.

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As the flash is closer to the subject, and using ETTL, it works as if it was on your hot-shoe, but saves power, batteries, melt downs etc….

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The idea behind this, is that the flashes output power Guide Number (GN) is a function of aperture and distance to the subject (GN = distance × f-number). Lets pretend GN is basically flash power. To use this set-up all day you need the flash to use low power all day. Your aperture (f-number) is set as part of your main exposure (In my case it was ISO1600 f4-f5.6 and shutters from 1/800 to 1/10 for the arty shutter-drag shots).
To keep the power as low as possible all day, I have moved the flash closer to the subject, meaning it needs far less power to illuminate the subject than if the flash was on the camera.

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I know the flash is in a stream….it wasn’t when I started!!!

Other benefits of this set-up is that you can have the flashes almost anywhere. The photo below, the flash was in a tree over my left shoulder. The same principles apply with ETTL sending it’s pre-pulse and then firing…..only the flash is off the camera.

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With the saving in power, I had 660 odd shots from one CP-E3 and one set of flash batteries. Makes a wet day far easier if you don’t have to change batteries!!!

As always there is a down side. I was lucky with this event that the competitors were spread out. The 580 does have the ability to melt down if you drive it too hard. While this set-up will save power, I’m not too sure how it would go if you have lots of shots close together. We’ll see later I guess…

Scody Advertising Shoot….

Friday, November 14th, 2008

It was a blast to spend the day with some of Australia’s best Triathletes. Normally I watch them wizz past me on the course!! The shoot was by FusePhotography and Christian Blanchard was directing the action. I was the #2 shooter getting different angles and candid shots.


The constant heavy showers made the day quite a bit harder. I’ve never been keen on letting my cameras get wet….perhaps I’m a big sook, but these stuff is not cheep so I look after it. Rain covers, plastic bags and the good-old postie elastic band kept everything dry.


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I’m pretty happy with the results. I used the ST-E2 and a remote flash (Camera left). Next time I’ll use a 580-Master on the camera with a 580-Slave off-camera for fill. Many of the shots were not clearly lit and given the brand is all important, basic front lighting is kinda important. Everything fixed up ok in post processing, but I’d prefer to get it right on-camera where possible. Given the gloomy day we used 1/2 CTO warming gels on the flashes and set the WB to cloudy. This warmed up the “models” nicely.

I’m looking forward to see the final results. I’ll start stalking Scody shops to see if my shots made the swing-tags etc… Sad I know.